Muzio Clementi (1752 - 1832) | Sonate B-Dur op.24 Nr.2 (1789) Allegro con brio Andante Rondo. Allegro assai |
Ludwig van Beethoven (1770 - 1832) | Variationen F-Dur op.34 (1802) Allegretto c-Moll WoO 53 Lustig und traurig WoO 54 Polonaise C-Dur op.89 (1814) |
Pause | |
Thomas Tomkins (1572 - 1656) | A sad Paravane |
Ferruccio Busoni (1866 - 1924) | Elegie Nr.3 ("Meine Seele bangt und hofft zu dir...") (1907) |
Alberto Ginastera (1916 - 1983) | Sonate Nr.1 op.22 (1952) Allegreto marcato Presto misterioso Adagio molto appassionato Ruvideo ed ostinato |
![](https://piano-festival-husum.com/wp-content/uploads/2022/03/Matthias-Kirschnereit-200x200.jpg)
Photo: Giorgia Bertazzi
Schubert and Mendelssohn, Schumann and Brahms are the fixed stars in Kirschnereit’s piano heaven. He also devotes himself to works by Mozart, Chopin and Rachmaninoff. But his remarkably large number of complete recordings also features unknown works by well-known composers, such as Mendelssohn’s reconstructed Piano Concerto in E minor, for which he received an ECHO Klassik in 2009. He recorded all of Handel’s organ concertos in his own arrangements for piano. The CD “Beethoven unknown” created for the Beethoven anniversary in 2020 contains unknown gems by the composer and immediately entered the top ten of the German classical music charts. In 2021/2022 a complete recording of the rarely performed Haydn Piano Concertos will be made together with the Württemberg Chamber Orchestra Heilbronn.
For a long time, he has been passing on his experiences and convictions as a professor at the University of Music and Theatre in Rostock to the next generation of musicians. With the hand-picked program of his “Gezeitenkonzerte” he has been attracting a steadily growing audience to this “festival among friends”, as Kirschnereit calls it, since 2012.